Classical Music 7:00-9:30pm
Playlist for Thursday, February 14, 2013
|
Time |
Composer |
Selection |
Performers |
Record Title |
Label |
|
7:00 |
Anonymous:
Music from the Montpellier Codex, 13th century |
Qui d’amours se plain
/ He who complains of Love Amours don’t je sui espris /
Love, who holds me captive L’autrier, au douz mois d’avril,
main me levai / The other day, ni the sweet month of April Au cuer ai un mal, qui me
destra[i]nt souvent / I have pain in my heart which often torments me Ja ne m’en repentirai d’amer /
I will never repent of loving Jolietement [mi tient li mal d’amer]
/ Joyfully, love’s sorrow grips me Qant voi la fleur en l’arbroie
/ When I see the flower in the wood |
Anonymous
4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose |
Love’s
Illusion |
Harmonia
Mundi |
|
Thomas
Morley |
It
was a lover and his lass |
Deller-Consort;
Alfred Deller, countertenor |
Shakespeare
Songs & Consort Music |
BMG
Classics |
|
|
John
Wilson |
Take,
o take those lips away |
||||
|
Thomas
Morley |
O
mistress mine |
||||
|
7:15 |
John
Dowland |
Three
feminine portraits: ▪
Lady Hundson’s Allmande ▪
La Mia Barbara ▪
Lady Clifton’s Spirit |
Hopkinson
Smith, Lute |
John
Dowland: A Dream |
Naïve
|
|
7:30 |
Thomas
Morley (1599) |
Joyne
Hands |
The
|
Tunes
from the Attic |
Dorian |
|
Pills
to Purge Melancholy (1719) |
You
Lasses and Lads |
||||
|
Samuel
Akeroyde |
Jenny,
My Blithest Maid |
||||
|
The
Division Violin (1684) |
Johnny
Cock Thy Beaver |
||||
|
7:45 |
William
Byrd |
Come
to me grief for ever The
Bells |
Daniel
Taylor, countertenor Susie
Napper & Margaret Little, viola da gamba Stephen
Stubbs, lute |
O
Sweet Love |
Atma |
|
8:00 |
Anonymous |
I
Smell a Rat |
The
King’s Noyse, David Douglass, director Ellen
Hargis, soprano Paul
O’Dette, lute & cittern |
The
Queen’s Delight: 17th Century English Ballads and Dances |
Harmonia
Mundi |
|
John
Dowland |
From
Silent Night In
Darkness |
Gerard
Lesne, countertenor Ensemble
|
John
Dowland: Ayres |
Naïve
|
|
|
John
Wilbye |
Draw
on, sweet night Weep,
weep mine eyes |
Oxford
Camerata, Jeremy Summerly, conductor |
English
Madrigals and Songs |
|
|
|
Anonymous |
Begone
sweit night |
The
King’s Noyse, David Douglass, director |
The
Queen’s Delight |
Harmonia
Mundi |
|
|
8:30 |
Antonio
Vivaldi |
Trio
Sonata XII “La Folia”, RV 63 |
I
Furiosi: Julia Wedman, violin; Aisslin Nosky, violin; Felix Deak, cello;
James Johnstone, harpsichord |
I
Furiosi / Crazy |
Dorian |
|
Robert
Schumann |
Drei
Romanzen, Op. 94 ▪
Nicht schnell ▪
Einfach, innig ▪
Nicht schnell |
József
Kiss, oboe Jenő
Jandó, piano |
Schumann:
Works for Oboe and Piano |
|
|
|
9:00 |
Gabriel
Fauré |
From
Pelleas et Melisande Suite, Op. 80:
No. 4: Molto adagio |
Rodolfo
Bonucci, violin; Viocheslav Ponomarev, cello Orquesta
Filarmonica de la Ciudad de |
Fauré
Violin Concerto, etc. |
ASV |
|
Clara
Schumann |
Romance
in A minor |
Yoshiko
Iwai, piano |
Clara
Schumann: Piano Music |
|
|
|
Benjamin
Britten |
Fish
in the unruffled lakes Night
covers up the rigid land To
lie flat on the back |
Philip
Langridge, tenor Steuart
Bedford, piano |
Britten
/ Berkeley: Auden Songs |
|
|
|
Vincent
Persichetti |
Love,
for women’s chorus |
Mendelssohn
Club of Philadelphia, Tamara Brooks, conductor |
Vincent
Persichetti: Choral Works |
|
|
|
Leonard
Cohen |
Suzanne |
I
Furiosi: Julia Wedman, violin; Aisslin Nosky, violin; Felix Deak, cello |
I
Furiosi / Crazy |
Dorian |
|
|
George
Gershwin |
The
Man I Love |
Angela
Brownridge, piano |
Fascinating
Rhythm |
Hyperion |