Classical Music 7:00-9:30pm
Playlist for Thursday, July 21, 2011
|
Time |
Composer |
Selection |
Performers |
Record Title |
Label |
|
|
7:00 |
Philipp
Schoendorff |
Missa
Usquequo Domine
|
Cinquecento:
Renaissance Vokal |
Philipp
Schoendorff: The Complete Works |
Hyperion |
|
|
Jacob
van Eyck |
-
Onder de Linde groene -
Bravade -
Doen Daphne d’overschoone Maeght |
Trio
de L’Oustal: Hekio
ter Schegget, recorder Mieneke van der Velden, viola da gamba Zvi Meniker, harpsichord with
Lucia Swarts, violoncello |
Early
Music from the |
NM
Classics |
||
|
7:30 |
Willem
de Fesch |
Trio
Sonata, op. 12/6 -
Andante -
Allemanda -
Giga |
||||
|
Andre
Danican Pilidor |
-
Air
des Hautbois |
The
New York Kammermusiker / Double Reed Ensemble, Ilonna Pederson, director |
A
Baroque Celebration |
Dorian |
||
|
Jean-Baptiste
Lully |
-
Air
des Hautbois -
Air
des Hautbois -
Marche
des Mousquetaires du Roy de France |
|||||
|
Henry
Purcell |
Suite
from The Fairie Queen -
Prelude -
Hornpipe -
Dance of the Fairies -
Air -
Rondeau -
Hornpipe -
Jig -
Prelude -
Monkey’s Dance -
Finale |
|||||
|
Georg
Friderich Haendel |
Mi palpita il cor
HWV 132c -
Recit: Mi palpita il cor -
Recit: Tormento e gelosia -
Aria: Ho tanti affanni in petto -
Recit: Clori, de te me lagno -
Aria: Se un dì m’adora |
Andreas
Scholl, countertenor Accademia
Bizantina, Ottavio Dantone, director |
Handel:
Il duello amoroso |
Harmonia
Mundi |
||
|
8:00 |
||||||
|
Henry
Purcell |
From
Act II, Scene II: The Palace “Thy
Hand Belinda” / “When I am laid in earth” – Dido “With
drooping wings ye Cupids come” – Chorus |
Nancy
Maultsby, Dido Boston
Baroque, Martin Pearlman, director |
Dido
and Aeneas and Music for Plays & Masques |
Telarc |
||
|
Enriquez
de Valderrábano |
|
Andrew
Lawrence-King, Spanish double-harp, ranaissance harp, organ, harpsichord,
psaltery The
Harp Consort: Hille
Perl, viola da gamba Lee
Gee Santana, vihuela, cittern Steve
Player, renaissance guitar, percussion Helen
Coombs, organ, harpsichord |
El
arte de fantasia |
Harmonia
Mundi |
||
|
Juan
Vásquez |
Romance:
De los álamos vengo, madre |
|||||
|
Luys
de Narváez |
Baxa de contrapunto |
|||||
|
8:30 |
Antonion
de Cabezón |
Tiento XVIII |
||||
|
Frederick
Delius |
To
be sung of a summer night on the water I & II |
The
Cambridge Singers, John Rutter, director Mark
Padmore, tenor |
There
Is Sweet Music |
Collegium |
||
|
8:45 |
Edward
Elgar |
My
love dwelt in a Northern land |
||||
|
arr.
E.J. Moeran |
The
sailor and young Nancy |
|||||
|
Ralph
Vaughan Williams |
Nocturne
& Scherzo (1906): Nocturne:
Scherzo
(Founded on an English folksong): Allegro moderato |
The
Nash Ensemble |
The
Early Chamber Music of Ralph Vaughan Williams |
Hyperion |
||
|
9:00 |
Mark
O’Connor |
Strings
& Threads Suite
I.
Fair Dancer Reel
II.
Sailor’s Jig
III.
Captain’s Jig
IV.
Off to Sea
V.
Pilgrim’s Waltz
VI.
Road to
VII.
Shine On
VIII.
Cotton Pickin’ Blues
IX.
Pickin’ Parlor Rag
X.
Queen of the
XI.
XII.
Swing XIII. Sweet
Suzanne |
Mark
O’Connor, violin Metamorphosen
Chamber Orchestra, Scott Yoo, conductor |
The
American Seasons |
Sony
Classical |
|
|
Ennio
Morricone |
Cockey’s
Song (from Once Upon a Time in |
Warner
Chappell, violin |
Triology |
BMG
Classics |
||
|
Eduardo
Martin |
Son
del Barrio |
Iliana
Matos, solo guitar |
Angels
in the Street |
GSP |