Classical Music 7:00-9:30pm
Playlist for Thursday, April 28, 2011
|
Time |
Composer |
Selection |
Performers |
Record Title |
Label |
|
7:00 |
Jean
Belmont-Ford |
If
Music Be the Food of Love |
Antioch
Chamber Ensemble, Joshua Copeland, director |
The
Passing of the Year |
MSR
Classics |
|
Milij
Balakirew |
Nocturne
No. 3 in D minor (1902) |
Michael
Krüker, piano |
Nocturnes |
Radio
|
|
|
Johannes
Brahms |
Wie
Melodien zieht es, Op. 105 No. 1 / Like
Melodies it Moves Immer
leiser vird mein Schlummer, Op. 105 No. 2 / Ever Lighter Grows my Slumber |
Hĺkan
Hagegĺrd, baritone Warren
Jones, piano |
Brahms,
Sibelius, Stenhammar |
RCA
Victor |
|
|
Eric
Whitacre |
Five
Hebrew Love Songs -
Temuná -
Kalá kallá -
Lárov -
Éyze shéleg -
Rakút |
Antioch
Chamber Ensemble, Joshua Copeland, director Christine
Chang, piano Jennifer
Cho, violin |
The
Passing of the Year |
MSR
Classics |
|
|
7:30 |
Catterino Albertovich
Cavos & Andrei Osipovich Sychra |
My
Dear Friend (aria from the opera-ballet The
National Guard, or Love to the
Fatherland |
Oleg
Timofeyev, Russian Seven-String Guitar |
The
Golden Age of the Russian guitar, Vol II |
Dorian |
|
Anton
Lajovic |
Mesec
v izbi / My Fatherland Kaj
bi le gledal / Jamie, Come Try Me Serenada
/ Serenade |
Bernarda
Fink, mezzo-soprano Marcos
Fink, bass-baritone Anthony
Spiri, piano |
Songs
and duets from Slovenija! |
Harmonia
Mundi |
|
|
Johannes
Brahms |
Missa
Canonica (1856) -
Kyrie -
Sanctus -
Benedictus -
Agnus Dei |
Saint
Clement’s Choir, Peter
Richard Conte, director |
The
Romantic Mass |
Dorian |
|
|
8:00 |
John
Dowland |
-
[A Jig] -
The Earl of -
The Right Honourable The Lord
Viscount Lisle, his Galliard |
Paul
O’Dette, lute, archlute, cittern Drew
Minter, countertenor |
Paul
O’Dette: A Portrait |
Harmonia
Mundi |
|
G.
F. Handel |
-
Aria: Come la rondinella (Fileno) |
||||
|
Traditional |
-
Greene-Sleeves |
||||
|
Trad.
Arr. James Oswald |
Greensleeves |
Alison
Melville, baroque flute & recorder Mary-Katherine
Finch, baroque cello Kirk
Elliott, harp & guitar Ben
Grossman, percussion Paul
Jenkins, harpsichord |
She’s
Sweetest When She’s Naked |
||
|
The
Duck’s Foot From
“The Seasons: Spring” -
Lentement -
Pastoralle |
|||||
|
Trad.
Arr. Robert Bewick |
Bannocks
of Beer Meal |
||||
|
Oswald |
The
Braes of Ewes |
||||
|
Trad.
Arr. Edward Miller |
The
Braes of Ballandyne |
||||
|
8:30 |
Henry
Purcell |
Hail! Bright Cecilia Ode for St. Cecilia’s Day (1692) -
Symphony (Introduction – Canzona &
Adagio – Allegro – Grave – Allegro) -
Hail! Bright Cecilia -
Hark! Hark! Each tree -
‘Tis nature’s voice -
Soul of the world! -
Thou tun’st this world below -
With that sublime celestial lay |
Emma
Kirkby, soprano Taverner
Consort, Choir & Players Andrew
Parrott, director |
Santa
Cecilia: Purcell – Handel – Haydn |
Virgin
Classics |
|
9:00 |
Robert
de Visée |
Suite
in A Minor (1682) -
Prélude -
Allemande -
Courante -
Sarabande -
Rondeau |
Robert
Strizich, baroque guitar |
Guitar
Music from the Court of Louis XIV |
Doberman-Yppan |
|
Sebastian
Duron |
Sosieguen
descansen |
Montserrat
Figueras, mezzo-soprano Ton
Koopman, harpsichord Jordi
Savall, viole da gamba |
La
Barcha d’Amore |
Alia
Vox |
|
|
Juan
del Vado |
No
te embarques |
||||
|
Juan
Hidalgo |
Ay
que me rio de Amor |
||||
|
|
Anonymous |
Goodnight
and God be with You |
Alison
Melville, baroque flute & recorder |
She’s
Sweetest When She’s Naked |