Classical Music 7:00-9:30pm
Playlist for Thursday, July 22, 2010
Hosted by Meera Collier-Mitchell
|
Time |
Composer |
Selection |
Performers |
Record
Title |
Label |
|
|
7:00 |
Hildegard
von Bingen |
Kyrie |
Oxford
Camerata, Jeremy Summerly, director |
Heavenly
Revelations: Hymns, Sequences, Antiphons, Responds |
|
|
|
Guillaume
le Vinier |
Espris
D’ire et D’amor |
Ensemble
Susan
Rode Morris, soprano Cheryl
Ann Fulton, Medieval Harps |
Danse
Royale |
Elektra
Nonesuch |
||
|
Anon. |
▪
Stella Splendens Virelais ▪
Los Set Gotxs Balada |
Saraband
& Osnabrücker Jugend Chor |
The
Red Book (“Llibre Vermell) |
Rhino
Records |
||
|
7:30 |
Heinrich
Schütz |
Symphonium
Sacrum II |
Concerto
Vocale, René Jacobs, director Maria
Cristina Kiehr, soprano |
Heinrich
Schutz, Excerpts |
Harmonia
Mundi |
|
|
John
Dowland |
▪
If my complaints ▪
In this trembling shadow cast ▪
Lasso vita mia |
Gerard
Lesne, alto |
Dowland:
Ayres/Gerard Lesne Ensemble
|
Naďve |
||
|
7:45 |
Friedrich
August Belcke |
Fantasia,
Op. 58 |
Alain
Trudel, trombone Patrick
Wedd, organ |
The
Art of the Trombone |
|
|
|
Antonín
Dvořák |
Suite
in A major, (“American”), op. 98b 1.
Andante con moto 2.
Allegro 3.
Moderato: alla Pollacca 4.
Andante 5.
Allegro |
Budapest
Festival Orchestra, Iván Fischer, conductor |
Dvořák:
Symphony no. 7 in D minor / Suite in A major, (“American”) |
Channel
Classics |
||
|
8:00 |
||||||
|
8:15 |
Traditional |
▪
Amazing grace, how sweet the sound (Camp Revival Song) ▪
My God, my portion and my love (Folk Hymn) ▪
Amazing grace, how sweet the sound (Folk Hymn) |
Anonymous
4: Marsha Genesky, Susan Hellauer, Jacqueline Horner, Johanna Maria Rose |
American
Angels: Songs of Hope, Redemption, and Glory |
Harmonia
Mundi |
|
|
Traditional |
Steal
Away |
Chanticleer,
Joseph Jennings, director |
Where
the Sun Will Never Go Down |
Chanticleer
Records |
||
|
8:30 |
Aaron
Copland |
Short
Symphony (Symphony No. 2) 1.
Incisivo 2.
Espressivo 3.
Preciso e ritmico |
San
Francisco Symphony, Michael Tilson Thomas, conductor |
Copland:
The Modernist |
RCA
Victor |
|
|
|
Ton
de Leeuw |
Pričre
(“Prayer”) |
Quink
Vocal Ensemble: Marjolein
Koetsier, soprano; Corrie Pronk, alto; Harry van Berne, tenor; Kees Jan de
Koning, bass |
Invisible
Cities: Contemporary A Cappella
Music |
Telarc |
|
|
9:00 |
Benjamin
Britten |
Um
Mitternacht |
Gerald
Finley, baritone Julius
Drake, piano |
Benjamin
Britten: Sings & Proverbs of William Blake |
Hyperion |
|
|
Rebecca
Clarke |
▪
Lullaby ▪
Morpheus |
Paul
Coletti, viola Leslie
Howard, piano |
English
Music for Viola |
Hyperion |
||
|
Maurice
Ravel |
(Two
of )Trois počmes de Stéphane Mallarmé (1913) 1.
Soupir (“Sigh”) 2.
Placet futile (“Vain address”) |
Sarah
Walker, soprano The
Nash Ensemble, Lionel Friend, conductor |
Ravel:
The Nash Ensemble / Sarah Walker |
Virgin
Classics |
||
|
Heitor
Villa-Lobos (arr. Penaforte) |
Aria
(Cantileńa) from Bachianas Brasileiras) |
Eroica
Trio: Erika
Nickrenz, piano Adela
Peńa, violin Sara
Sant’Ambrogio, cello |
Pasión |
EMI
Classics |